While the number of books published in translation in the United Kingdom remains low—research by Literature Across Frontiers, a platform for literary exchange, translation and policy debate produced an average figure of 3% over the past 20 years—the success of the likes of Karl Ove Knausgård, Elena Ferrante, and Han Kang is catalysing interest towards books written in languages other than English. The number of literary translations grew by 66% between 1990 and 2015, LAF says. Among the most popular source languages were Swedish, Norwegian and Dutch, alongside Arabic and Japanese. These figures conceal the fact that out of the world’s thousands of literary cultures, only a few ever achieve any level of representation in English. For those who translate from these under-represented languages, it is an opportunity to act beyond the traditional boundaries of a translator.
Mo Yan’s 2012 Nobel Prize in Literature win has yet to ease China’s big break on the Western literary market. “There is a huge canon of contemporary Chinese literature that no one in the United Kingdom has ever heard of,” says Nicky Harman, previously a teacher of translation at Imperial College London and a full-time translator of Chinese since 2011. “I have the privilege of pushing open the window.” Harman is one of the Chinese into English translators who set up Paper Republic, a website that promotes Chinese literature, in 2008. Continue reading