I did some reading this past week on character vs plot driven fiction, inspired by the comments section of The Guardian’s very interesting podcast on editing. There’s a fair bit of writing on this topic out there in case you are interested in the details. It also made me wonder where I stand on this issue.
I’ve always been drawn to the quality of the language itself in books. It’s not so much about what you write but about how you write it, and in the majority of the cases this overlaps with the characteristics of character driven fiction. I’ve also jotted down some thoughts on what I think makes for interesting books here. Antonio Tabucchi‘s Pereira Maintains (Canongate 2010) is definitely fiction of the character driven kind. This is a book in which nothing much, and a whole lot, happens at the same time—and that is a fantastic combination.
Pereira Maintains takes place in Lisbon, and I can’t not mention I’ve just booked a holiday to go there myself at the end of September, hooray! I bought this book a while back and forgot where it’s set, but surely it was providence that guided my hand to this slim (only 195 pages) copy in my bookshelf… Tabucchi’s protagonist is the editor of the culture section at the Lisboa newspaper, the veteran journalist Dr Pereira. In the impossibly hot summer of 1938, in the midst of translating French short stories for the paper, talking to a photograph of his dead wife, repeatedly eating an omelette aux fins herbes with a lemonade at his regular place, and taking seaweed baths to alleviate his heart trouble, his uncomplicated life becomes entangled with that of a troubled young man, Monteiro Rossi. Continue reading
It’s in itself quite remarkable that a book of of nearly 700 pages leaves such a small mark on the reader’s memory. Sadly, this is the case with An Instance of the Fingerpost by Iain Pears (1997, Vintage).
The premise is promising: a story that takes place in my current home town Oxford in the 1660s and involves “lust, betrayal, secrets, and murder”. The same events are recounted from four different perspectives by four different characters: Venetian gentleman and ‘physick’ enthusiast Marco da Cola, Oxford student Jack Prestcott, mathematician John Wallis, and historian Anthony Wood. The Italian has arrived in England to sort out a family business in London that’s in a spot of trouble—or so he says. His true interest lies with physick, a mixture of physics, chemistry, and medicine, and he soon finds himself in the learned but ill-mannered company of Oxford academics, including John Wallis, John Locke, and Robert Boyle. Jack Prestcott is a troubled young man on a mission to clear his father’s name, tarnished in a plot to restore monarchy during the English Interregnum (1652–1659), with the help of an Irish faith-healer, whatever the cost—or so he says. Continue reading
From the snows of Finland to the heat of Latin America. I decided to continue my streak of Conrads by reading his 1904 novel Nostromo. This was not, by any means, light holiday reading.
Nostromo (‘our man’) is named after one of the characters, the legendary ex-seaman and adventurer, current Capataz de Cargadores (head longshoreman says Wikipedia) of Italian descent, Giovanni Battista Fidanza. Even after finishing the book, I’m not entirely sure why the novel was named after him. Let me explain.
Sulaco is an imaginary coastal town in the imaginary South American country of Costaguana. Conrad, as keen as ever to grab every opportunity to insert generously descriptive passages, sets the scene in the first paragraph:
In the time of Spanish rule, and for many years afterwards, the town of Sulaco—the luxuriant beauty of the orange gardens bears witness to its antiquity—had never been commercially anything more important than a coasting port with a fairly large local trade in ox-hides and indigo. The clumsy deep-sea galleons of the conquerors that, needing a brisk gale to move at all, would lie becalmed, where your modern ship built on clipper lines forges ahead by the mere flapping of her sails, had been barred out of Sulaco by the prevailing calms of its vast gulf. Some harbours of the earth are made difficult by access by the treachery of sunken rocks and the tempests of their shores. Sulaco had found an inviolable sanctuary from the temptations of a trading world in the solemn hush of the deep Golfo Plácido as if within an enormous semi-circular and unroofed temple open to the ocean, with its walls of lofty mountains hung with the mourning draperies of cloud.